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#MICROSOFT WINDOWS 95 STARTUP SOUND MIDI MANUAL#
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#MICROSOFT WINDOWS 95 STARTUP SOUND MIDI DOWNLOAD#
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It is allowed to post a link to your or your label's store page if you have put out your own music on vinyl. Please visit /r/vinylcollectors in order to sell, trade, and seek albums. (4) Posts specifically intending to buy, sell, or trade vinyl or stereo equipment privately between collectors are not permitted. A list of album titles is not an adequate description. If your post is removed you can still add a 300+ character comment with the description and it will be approved automatically. Posts without adequate description will be removed automatically. (2) Photo and image posts as well as gifs and short videos must also include a 300+ character description, story, or review of their content. Be sure to use the search bar to browse for your answer - you just may find what you're looking for! Here’s his story of how it came to be.(1) Questions regarding setups, equipment advice, or personal inquiries that primarily benefit the individual over the broader subreddit community should be submitted in the stickied Weekly Questions thread, also accessible from the Submit a New Question button above. Oh, and the question nobody asked but I’m going to answer it anyway: The composer of the Windows 95 Easter Egg theme is Brian Orr. (Okay, probably nobody asked about Weezer because, well, that’s the group right there in the filename.)
Nobody was interested in the artists who did any of the other stuff. The ones I remember are a cartoon or two by Bill Plympton, a Weezer music video, and music video of Edie Brickell singing Good Times.įor some reason, everybody wanted to know the artist from the Good Times video. The Windows 95 CD contained extra multimedia toss-ins. Then when I’d finished that and I went back to working with pieces that were like three minutes long, it seemed like oceans of time. I was so sensitive to microseconds at the end of this that it really broke a logjam in my own work. I got completely into this world of tiny, tiny little pieces of music. I thought this was so funny and an amazing thought to actually try to make a little piece of music. The thing from the agency said, “We want a piece of music that is inspiring, universal, blah-blah, da-da-da, optimistic, futuristic, sentimental, emotional,” this whole list of adjectives, and then at the bottom it said “and it must be 3 1/4 seconds long.” And I really appreciated someone coming along and saying, “Here’s a specific problem - solve it.” I’d been working on my own music for a while and was quite lost, actually.
Q: How did you come to compose “The Microsoft Sound”?Ī: The idea came up at the time when I was completely bereft of ideas. In an interview with Joel Selvin at the San Francisco Chronicle, Brian Eno explains.